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Gemini Award-winning reporter David Akin is the National Affairs Correspondent for Canwest News Service and is based at the CNS Parliamentary Bureau in Ottawa, Ontario, Canada.
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Who pays for this blog? I receive no fees, considerations, etc. etc. for the posts on this blog nor do I have any plans to accept any. My salary is paid by Canwest Global Communications Corp. I work for that company as the Ottawa-based National Affairs Correspondent for Canwest News Service. The blog publishing platform used here is called Blogware and it's developed by Tucows Inc. of Toronto, Ontario, Canada. Blogware users typically pay a monthly fee for using this platform but I do not as Tucows has kindly provided me with this platform. I may report on Tucows, its associated operations and executives, and on industry issues that may affect Tucows. I am grateful for Tucows' assistance but that's it. No favours were promised for their generosity nor do Tucows executives expect any. I hold no direct equity or stock in any company, Tucows included. If you think other disclosures are appropriate in this space, I'd like to hear from you. All of my contact details are always at www.davidakin.com You can read more about this section Login
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Letting your subjects have their say
Whether it's a book-length biography or a newspaper profile, writers who do biographical pieces are often faced with a dilemma: Access versus Independence of Thought. As a writer, I want to get as close to my subject as possible, to see him or her in their private moments, in closed door meetings, and get lots of exclusive material. The price for that kind of good stuff, though, is usually Independence of Thought. The subject may grant that access in return for some control over what you write. That can range from veto power over the entire project to being able to modify interview notes. If you want complete independence of thought, you may never be granted a chance to speak to your subject let alone get close to him or her. Well, here's a neat new strategy. For his new biography of Larry Ellison, Matthew Symonds agreed to let Ellison share the page with him. Ellison gave Symonds some terrific access, allowing the writer to accompany Ellison to closed-door meetings, for example, and, in exchange, Ellison was allowed to respond via footnotes in Symond's biography. I like it.
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